Showing posts with label of Death. Show all posts
Showing posts with label of Death. Show all posts

Monday, 10 February 2014

Osprey


I had fled to the bay for safety but the storm caught me there and killed me. My last experience was the waves sinking their cold molars into my plumage. They tossed and tousled me as the storm raged, and, when my breath and the breath of the gods had ceased, they smoothed my feathers back to perfection in the darkness. The tide left my body on a beach on the west side of the bay.
     I had died with thrice bad luck: dishonourable retreat, disorienting circumstances, and far from the open ocean. My Three Days of Grace began at dawn.
     I had several admirers that first day. Just after sunrise a golden dog bounded over to me. He had a goofy gait, his hind legs not quite sure the direction of his front legs. He sniffed along my left wing and my face as an old man hobbled down the steps of the seawall.
     “Thor!” the man called, “get outta there.” He shooed Thor away, gave my body a cursory glance, and moved on.
     This was the blueprint for the next three interactions. The fifth beach stroller stopped and crouched beside me. Her mother examined me from a distance.
     “It's beautiful,” said the croucher, whose name was Noemi. She had a slight build and was in her twenties. Her eyes and her hat were green. Underneath her black hair was cut haphazardly short. Her facial features blended from sharp to smooth in all the right ways and places to make a human handsome, but there was something a bit off about them: the angles skewed, perhaps, and the curves slightly too voluptious. Because of this and her habit of staring at people's noses as they talked and taking a very long time to answer, she was generally considered unsettling. To complement her unsettling of people, she didn't much like them.
     “Is it an eagle?” her mother asked.
     “It's an osprey.”
     Her mother edged closer. “I think it's an eagle—a young one.”
     “No,” Noemi continued, frustration creeping into her voice. “The only eagles on this coast are bald and golden.”
     “Exactly: a young bald eagle. That's sad.”
     “There's far too much white. A young bald eagle is all brown-black. There was one in the nest on Cedar Street this fall.”
     “I don't know.... Look at its feet.”
     “Mum—it's an osprey.”
     “Let's google it.”
     “Fine.”
     Noemi slid from the sand a small stick that wouldn't leave splinters in her hands. She called one of the dogs to her and threw the stick. They moved on.

Noemi returned that evening after the clouds had rolled across the bay and inland, clutching a thermos in one hand. It contained Alba Andina Malbec from Mendoza, Argentina. A smooth driftwood log lay a few feet to my left and on this she sat.
     "Hello, osprey," she said.
     Hello, Noemi, I wanted to reply.
     "The wind's died," she remarked.
     The wind is waiting.
     She was looking up at the stars now, at Orion's Belt and the Big Dipper and Sirius. To the north the city and the ski hills lit the sky and shrouded the stars. She imagined the world a thousand years before, when there was negligible light pollution, and on a clear night the heavens shone unadulterated. Countless stars illuminated her mind's eye; she felt a sense of peace and wonder and comfort. A tear trickled down her face and the illusion fled.
     She wrenched her gaze from above to view below: the cement wall and road dissolved, the rows of cabins grew into pines and oaks and willows. The beach curved up to meet the forest seamless. Noemi drank a little more and breathed short and shallow to keep herself from crying.
     "Here, osprey--for your companionship." She poured wine on my breast and walked away.
My pleasure.

On the second day she brought her painting supplies. When she found the place where I had lain empty, the breath caught in her throat and she trembled and then she walked on. My body sprawled two hundred yards to the south, near the tip of the bay. She had only brought blacks and whites and browns, which suited my former seat fine but I now lay on small rocks.
     After a time spent considering and staring from my body to the rocks to her canvas to her paints, she began. First, a background of browns and black dabbled sand flowed over her canvas. She then trekked back to the cabin to retrieve the blues and yellows and reds she needed for the rocks. She painted the rocks carefully, recrafting their wholeness and their brokenness, their individuality and their community. The last rock, blue-black with streakings of silver and red, took her an hour. She had painted them on the edges of the canvas, leaving a circle of sand for my body to rest on.
     After lunch she returned, although the food sat in her stomach and her fear weighed upon her. Her fear was an ominous, nameless, and haunting thing, but she conquered it and made the first bold black stroke of my wing. From there, it was simple. She reformed my figure in oils, remade me a sleek midnight sea traversed by a fleet of sails. I was brought to new life by her alchemy. As the sun set over the ocean, beyond the hills and the islands, she packed up and left.
     Thank you.

That night the tide stole upon me like a lover. It caressed my down and encompassed me within itself and transported me towards my home.
     Please, I wished, take me with you. Guide me to your currents. Let us drift together to the open ocean.
     It left me on the lip of the bay.

This was the third and final Day of Grace. I needed to traverse the labyrinth of islands to the south; I needed to get to my final place of rest before the next sunrise. I called to the tide as it ran away and begged it to return that night and carry me off.
     The sun rose pink and orange and misted. Noemi came soon after, wearing purple gardening gloves with grey padded palms. I felt her vicious intent and, for the first time, I feared her. She tied the smallest and wildest of the dogs to a log and let the others roam as she examined my fallen body like a surgeon.
     "Why have you not been eaten?" she asked. “Why are you untouched? Why are you still so perfect, osprey?”
     She grasped my longest pinion feather on my left wing and pulled.
     Stop! I wanted—needed—to cry out. Don't, Noemi! I must stay whole.
     My feather held firm. If I had had human breath I would have sighed, or laughed. I knew every feather of my body. I knew the weight and how to maneuver each in any wind; I knew which ones were healthy and I knew if there were weaknesses. She wasn't done. The wing had stretched out and the wind lifted it up on display. After a long moment Noemi eased it back to the sand and then, methodically, pulled on the next feather, and the next, testing. None gave way to her. She tested the other wing with the same result. After a quick fit of frustration that consisted of heavy breathing and a bug-eyed glare, she attacked my tail.
     Please. The wind was my voice, nipping her. She bundled deeper into her jacket. No, Noemi, no.
There was a feather on the left of my tail that was frayed. It was inconsequential in life and would have fallen out within a few days, but the rules of pergatory were different. She pulled, was thwarted, pulled, was thwarted, pulled... and my Grace was broken.
     She took her ragged treasure home and left me to the flies and the crows. I did not expect her to return: she had played her miserable part.

Noemi returned that evening, alone. Why did she seek my company? I had no choice but to accept hers, though I did so bitterly. Did she know what she had done? No, of course not. How had she touched me, sullied me so when others could not?
     She chased off the ravens and built a small fire nearby. She had brought three items. The feather was in her grasp; she twirled it, staring from it to the flames and back. Her thermos was with her, this time bearing a wine from Italy. Lastly, wrapped in brown paper, was her painting. What was her role? Was she the trickster: stealing my old salvation after creating me anew?
     No, her next act revealed her. She was the destroyer. The brown paper caught immediately and the whole contraption was ablaze within seconds. She had placed that apparition of my lost magnificence on the fire so gently. The oils bubbled and crackled and made a light so intense she had to turn away.
     Murderer. Demon.

That fourth night I begged the tide once more to take me home, though I knew I was lost. I had been caught between this world and another. There was no escape. I simply preferred the kissing nibbles of fish to the raking of crows and the shit of seagulls. I wanted to fade with some small dignity.
     The winds were my friends, once. The tide and I, we were strangers and it had other business. It approached me but did not touch, its probing fingers teasing. It knew my journey was over.
     After I mourned I drifted from my body, now a hive of maggots, to a beach that flowed into willows and pines. Countless stars illuminated an ocean that was perfectly still.
     I was not alone. A young girl with long black hair and staring green eyes watched me.
     Hello, Noemi, I said. My voice was the wind and it encompassed her and she heard me.
     “Hello,” she replied. “You're an angel.”
     I looked down at my body, tall and muscled and sexless. My hands were smooth and sharp, like her face. I stretched my wings and found them black bespeckled with white. Yes, I said.
     She took my hand and we walked along the beach. Though there was no wind but for my voice, the trees swayed. The water remained still. Cranes stood in the tidepools, ducks floated along and made no ripples. We walked along until we crested the bay and faced south. The islands disintegrated and we looked out into the endless ocean.
     I need my feather back.
     “I don't have it,” the girl replied, fidgeting.
     You do.
     It was in her hand the next instant. She glared at it guiltily. It was my turn to play a role I knew perfectly, though I couldn't remember learning it.
     “Here,” she said, trying to give it to me.
     Put it in the water, I told her.
     She did so. It floated there, the frayed feather that broke my grace. When she stood back it grew, white becoming brown, into a rowboat.
     Thank you. I knelt in the sand and put my long arms around her. She began crying; I held her for a long, long moment until she was through and my shoulder glistened. I stood and said again, Thank you, Noemi. Be wise.
     The rowboat, instead of rocking, eased more deeply into the water with my weight. I sat and faced her and bent my great wings forward until I could grasp one in each hand. They transformed into black and white oars, beautifully carved with feathers. I rowed once and knew that that was all I needed, so I shipped the oars in front of me and waited. Noemi and I watched one another as I drifted onwards until the she merged with the land and I with the ocean.

The next evening Noemi returned to the beach with her thermos. All that was left of the osprey was feathers and bones and beak.

Friday, 17 January 2014

Walter and Thor III

 150 words, submitted:


Once upon a time, Walter took Thor fetching on the sandbars during winter. 

On the fourth sandbar, the tide turned. 

Eventually Walter asked, “Why are we out here, Thor?” 

Thor barked, at Walter and through the fog towards shore. Walter's gnarled hands patted his soaked jeans. Thor swam back through the tidepool; Walter retrieved Thor's ball and followed. The water, now to Walter's chest, stole his breath; seaweed encumbered him. 

On the third sandbar, Walter sat, huddled. "Where...?" Thor barked and barked, he licked Walter's face and begged. 

On the second sandbar, Walter turned back to sea. He accused Thor of leading him astray. Thor got in Walter's way and barked hoarsely. 

A woman materialized behind them. 

“Dad!” she cried. “Oh, Dad!” 

Walter retreated. “Who are you?” 

She took his hand. 

Back home, Walter had a bath. Thor lay by the fire and watched Eileen pace, whispering into the phone.

Thursday, 16 January 2014

Walter and Thor


 I have a flash fiction writing assignment this week: a story in 150 words. This is the first draft, about 650 words, which I'll slice down. My purpose in posting is to share my creative process with you.


At first, Thor thought it was a great idea to go walking on the sandbars. It was one of his favourite things to do, and they only did it when it was warm out. Today it was cold, quite cold. It had been cold for a while, Thor remembered, and he knew it would be cold for a while longer. Yet Walter launched the frolicky, squeaky yellow tennis ball onto the second sandbar and Thor raced through the tidepool and Walter followed, soaking his shoes through and his jeans to the calf. Thor didn't like the cold water all that much, but he didn't mind if he was chasing the frolicky, squeaky yellow ball. On the third sandbar, he noticed something was wrong. Walter didn't pick up the yellow ball in his green ball launcher. He was peering around, and shivering. It was misty out, and Thor could see the shore, but Walter couldn't. Thor barked at Walter and Walter looked down at him and smiled after a moment.

“Good boy,” Walter said. He picked up the ball and launched it to the fourth sandbar. Thor bounded over to the tidepool, waded till he had to swim, then swam through the seaweed. Walter was right behind him, the water past his waist. They got to the next sandbar. Now there was definitely something wrong.

“Thor... how did we get out here, Thor?”

Thor ignored the yellow ball and barked at Walter, concerned, confused. They were both confused.

“Which way is home, Thor? I want to go home. I'm cold.”

Thor barked, then waded back into the tidepool they had just emerged from. After a few yards he looked back at Walter. Walter was hesitating.

“Okay. I trust you,” Walter said, and he followed.

They emerged onto the next sandbar. Walter was hugging himself; his breathing was shallow. Thor ran around him, shaking the water from his fur, barking as much and as loudly as he could. They were on the third sandbar again and now even Thor couldn't see the wall that marked the end of the beach. He headed towards the second tidepool.

“I'm cold, Thor, so cold. Why am I wet? Why are we out here?”

Thor barked. His bark said: Come on, please, let's go home. This way, Walter.

“Okay,” Walter said again. “I trust you.”

On the second sandbar, Walter sat down. The tide was coming in. The sandbar was getting smaller. Thor barked loudly towards the shore, which he still could not see. Then he nuzzled up to Walter and put his head on his shoulder and his look said: I love you. Please trust me. Then he barked at Walter and Walter heaved himself to his feet and tottered for a moment. He looked down at Thor and he said:

“Okay. I trust you. Where are we going?”

Another man walked out of the mists. His jeans were soaked up past the knee. He saw Thor and Walter and how confused Walter looked, and how he shivered.

“C'mon,” the man said, and held out a hand. “This way.”

“Who are you?” Walter asked suspiciously.
“I'm Samuel,” the man said patiently, soothingly, as though to a small child. “My name is Samuel. Your's is Walter. I'm your son.”

“Okay,” said Walter. “I trust you.” And he took Samuel's hand.

Back in the cabin Samuel helped Walter undress. He filled a bath with hot water and turned on the heaters and as Walter soaked he called his sister and paced around the small cabin living room. Thor lay on the couch and watched Samuel pace; he worried about Walter. He knew there was something wrong and he didn't know what to do.

Tuesday, 8 October 2013

A Dead Spring

Where, in fancy, has my vigour flown?
Did it sense my winter
as I frolicked in the orange leaves?
Left alone I feel lonely,
fixing in the freeze,
lost mid dreams of a dead spring.

Tuesday, 13 August 2013

Feint

I live in sunny days doomed to fade. I chisel not my name upon the Mountains of History, nor mine their depths for buried brilliance. I paint with water; I craft with sand. I write on recycled paper I one day recycle. Immortality is the breath each word breathes; I need not their mirage. I write to unveil humanity, this fickle play without plot. I write to understand myself, this actor who forgot if there ever were lines to be forgotten. I write hope where worry dwells, compassion where complacency broods, laughter where silence reigns. I write because I need to, and I resent it.

Why can I not drift in silence unanchored? Why destination need I to chart a course? Why purpose need I to chart a life? Why grief suffer I?--and what grief be this but a lingering shadow from an old dream, hidden beneath the cacophony of thought? Can I love what is? Can I love what is not? Have I the courage to emerge from this swarm of self-pity as the chick from the egg? Have I the insight to know this is not me but my challenge?

Yes. I am the eternal I. All else is but the game. I was lost within it, but I did not lose.

The Sadness compresses me, crushing, squeezing from me my air, cheating from me my time, blurring my vision, whipping my thoughts to a flurry to a storm, choking my love. The Sadness enlists, enlivens, provokes my innate fear of the All and of the None, of the Unknown and of the Unveiled. The Sadness is so tangible I can almost taste it, souring my breath, repelling others, sickening my lungs and my stomach.

The Sadness is, of course, not real. It is just another mirage, a feint played well by the opposition, but perhaps too often. So like It to play such a clever ploy: undermining as it plows through, bamboozling, disarming as it stabs, distracting as it steals. So like that wily Death!

And I? you ask. I am Life; I learn, I adapt. Each mirage, as powerful as convincing as it may be, bears the same rankling whiff. While Death seeks to lead me from dream to sordid dream, I now know there is but one of matter; and though still I often stumble, my reactions quicken, my feet grow stable, my eyes sharpen, and my laugh and my silence make love.

For I am Awake. Your move, Death.

Friday, 2 August 2013

Sandcastles

I am the old man on the porch. Mount Baker sits across the bay, rising above the clouds to capture the mid-afternoon sun. The tide is at its lowest. A dozen sandbars of varying browns stretch out in its wake, beaching speedboats, dotted with humans and crabs.

I sip water from a blue cup, appreciating my gift from nature. The conversation lulls, we elderly folks sinking into a familiar trance. The dream-world before us crawls upon our porch, creeps among us, stealing our words to leave soft silence.

Our family is out on the beach, enjoying the ritual of a young tradition. They are shovelling substance, carving character, hands in a relentless pat against the sand: creating a dragon. The ramparts of yesterday's castle, a ring of sand and stone, became her hollow belly. The first task was to rebuild their height and girth, simultaneously digging a moat. My son Joseph, the lead architect, began the dragon's head as a sand heap and a request for a log this long (three feet) and this wide (half a foot), to support her upper jaw. Waiting, he formed her lower one: its distinction from the dune, the lip, the sharp teeth, even a lolling tongue. The upper jaw was more fun: flaring nostrils, a scaly snout curled into a goofy snarl, arching eyebrows, eyes of blue-grey rock. Spikes trail from forehead down the neck, up, splitting at the top of the walls, following the height of each to rejoin and dip with the curling tail. Four of my teenage grandchildren take on a limb each: the left arm is built long and skinny, with manicured nails; the right arm curves bonelessly, bearing six talons; the left leg is beefy, the foot as big as a steering wheel, claws blunt; the right leg trails off at the elbow (abandoned when Naomi joined my nieces to see if the tide reached the mile marker today).

The site is a hive of activity. Naomi announces her return with a sandball splattering onto Joel's back--he shrieks, jumps up and starts chasing her. Phoebe teaches her daughter Eileen to toss the frisbee for our half-blind Australian cattle dog. Isaac, Marc, and Theo wrestle, before flopping dramatically into a tidepool to rinse the sand out of their hair. People stop to admire, strike up a conversation as their dogs sniff about the dragon (with little regard for art) or chase seagulls. Joseph shades his eyes, counting the eight remaining sandbars. My nephew Alex stands to greet his wife, who just left the porch to tell everyone that lunch is ready.

This is the annual family gathering, when relatives from my side and my wife's drift in and out for potluck dinners, late-night card games, picnics, general relaxation, and, of course, sand sculpting. This is how I've spent every August for as long as I recall.

The children are leaving the beach: dropping their spades and skimboards, splashing through the nearest tide-pool, toeing across the barnacle-encrusted rocks, sprinting through the hot soft sand, climbing up the grass, washing their feet in the kiddie pool, and ascending the stairs to meet the old man on the porch.

"Hey Grandpa!"

Saturday, 8 June 2013

Sandcastles II

I am the old man on the porch, encompassed by an unfathomable blue sky. Capped in a glory of white, the eastern mountains dapple their green toes in the far reaches of tranquil ocean waves. In the afternoon sunlight the dark brown dunes stretch on by the dozen, beaching speedboats, traversed by humans and crabs.

I sip water from a blue cup, doing my best to appreciate a gift too often taken for granted these days. The conversation has lulled, we older folks sinking into a familiar trance. The dream-world before us--hidden in plain sight among the bedlam of today's world--swiftly and stealthily crawls upon our porch unannounced but not unwelcome. Creeping among us, it steals our words and grants soft silence.

The youngest contingent of our family resides out on the beach, enjoying the ritual of a young tradition. In the early hours, when the moon coaxed the waters toward different shores, a remnant was revealed: a formless, water-scrubbed hump, understood only by the memory of yesterday's triumph. Upon this foundation, they are shovelling, carving, hands in a relentless pat against the sand: giving birth to a dragon. A fresh manifestation resurrected from ancient imaginations, the dragon is a being of toil, camaraderie, and craftsmanship. This titan of sandcastles is a physical testament to the spirit of labour and enjoyment; this crude etching in the sand a reflection of our proud, tumbling lives.

My days of working on the beach are over and gone. Four years ago I surpassed my last worldly hurdle by paying off my debt and this cabin, and I retired. In the same stroke I stopped building sandcastles with my grown kids and growing grandkids, a soothing task I loved. You may ask why? and I cannot answer. Perhaps because I was tired of fighting every day of my life. Perhaps because it brought balance, and I was returning to my centre. My final tide draws near.

The children are leaving the beach: filtering from the rising behemoth, splashing through the nearest tide-pool, toeing across the barnacle-encrusted rocks, sprinting through the hot soft sand, climbing up the grass, washing their feet in the kiddie pool, and ascending the stairs to meet the old man on the porch.

"Hey Grandpa!"

Friday, 7 September 2012

Locusts

Taken from the novel Ishmael by Daniel Quinn:


One day the gods were considering the administration of the world in the ordinary way, and one of them said, "Here's a spot I've been thinking about for a while--a wide, pleasant savannah. Let's send a great multitude of locusts into this land. Then the fire of life will grow prodigiously in them and in the birds and lizards that will feed on them, and that will be very fine."

The other thought about this for a while, then one said, "It's certainly true that, if we send the locusts into this land, the fire of life will blaze in them and in the creatures that feed on them--but at the expense of all the other creatures that live there." The others asked him what his point was, and he went on. "Surely it would be a great crime to deprive all these other creatures of the fire of life so that the locusts and the birds and the lizards can flourish for a time. For the locusts will strip the land bare, and the deer and the gazelles and the goats and the rabbits will go hungry and die. And with the disappearance of the game, the lions and the wolves and the foxes will soon be dying too. Won't they curse us then and call us criminals for favoring the locusts and the birds and the lizards over them?"

Now the gods had to scratch their heads over this, because they'd never looked at the matters in this particular light before but finally one of them said, "I don't see that this presents any great problem. We simply won't do it. We won't raise a multitude of locusts to send into this land, then things will go on as before, and no one will have any reason to curse us."

Saturday, 25 August 2012

Life Moves On

Consider life itself:

Scientists cannot understand what drives life. There is no physical explanation, because the answer is not contained within our physical dimensions, and so we can never understand it with our physical brains.

Neither do scientists understand what drives death. My theory? We are vessels of consciousness. We burst forth from the womb with boundless potential for growth in so many dimensions. We are concentrated bastions of Creativity, coming and going, never the same, never still, building and reorganizing. But we, as everything, are impermanent. Life, Creativity, moves on.

And for life to keep flowing, which is not an option, it can have no permanent bastion on the earth. If we live a giving life, we will live forever in dimensions and levels of consciousness so much greater than those we are physically aware of. So live on.

Saturday, 4 August 2012

Hollow

Within the hollow halls
between whispers of lost lovers
A beguiling silence calls
my heart to suffer
Below the Lord's last steeple
amidst the clanging of bells
Assemble the sleeping people
to fear their self-sown hells
And in the darkest mornings
in the loneliest skies
You won't see my soul mourning
for I've lost your eyes

You know I'd rather stumble always
through the worst of their hells
Than kneel in the hallways
in the castles and vales
To look up at them maskless
to plead their forgiveness
Seek pity in the masses
and admit my last weakness
Admit my great shame
for my love, in my haste
To forget my great pain
I've forgotten your face
and I've forgotten your name

All I want is one night to arise
and through some mirage or false sight
See your image, your guise
Alone in the light
So reach out your hand, love! —
past that cruel smile
Leering from heaven above —
to hold mine a while
My darling, please hear
and say it's not true
For my greatest of fears
is that you've forgotten me too


I fear the fever takes me this morning. If not for my last vestige of driving will: the need to complete, or at the least attempt, this last and most important thing I will ever do in my sorry and miserable life, I'd be gone already. Ah! but there’s so much left to do.
This project is all that holds me together: my brain, my body, and of course my suffering soul to the whole contraption.
And so I remember for you: